energy
-
The Glasgow Effect: A Tale of Class, Capitalism & Carbon Footprint
On 4 November 2019, Luath Press published Harrison’s first book. Inspired by her 2016 ‘durational performance’ The Glasgow Effect – for which she refused to travel beyond Glasgow’s city limits, or use any vehicles except her bike, for the whole calendar year – the book provides the complete context for her thinking and action. (Word count: 119,000)
-
The RRAAF Debate
Harrison outlines the ideas behind her new Radical Renewable Art + Activism Fund project at the Shifting Power event at Beaconsfield in London.
-
Radical Renewable Art + Activism Fund
Initiated by Harrison in 2015, the Radical Renewable Art + Activism Fund (RRAAF) aims to be a new and autonomous funding scheme, which uses renewable energy to offer ‘no strings attached’ grants for art-activist projects in the UK.
Project website -
The Global Race
The Global Race is an absurd vision of an Olympic games of the future, in which the brilliance of human ‘innovation‘ means we no longer need to break a sweat! At an athletics track in central Berlin, a group of ‘elite athletes’ and members of the public competed in a series of races on Segways.
-
Anti-Capitalist Aerobics
Originally created as a disruption during Invisible Dust’s Ways of Seeing Climate Change conference on 30 October 2013, Anti-Capitalist Aerobics engages delegates in an energy intensive workout in order to expose some of the fundamental contradictions in the way we live our lives.
-
The Other Forecast
Recorded LIVE in front of a green screen, Harrison’s The Other Forecast offers her summary of the absurd consequences of capitalism, as a warning about the future we are heading towards if the system continues unchecked. Broadcast on the Big Screen at MediaCityUK in November 2013 as part of The Other Forecast project – a collaboration between Harrison & John O’Shea.
Project website -
Power For The People
Harrison launched Bring Back British Rail’s ‘sister campaign’ Power for the People in October 2013 in order to popularise the idea of returning the UK’s energy production and supply to public ownership. Together the campaigns aim to ‘join the dots’ between our most carbon-intensive industries and services to make evident the need to remove the profit-motive from all of them in order to meet the challenges of climate change.
Campaign website -
Mass = Energy = Time
This kinetic installation uses two found weight mechanism clocks. The lead weights which are normally used to power the clocks have been removed and replaced by foods (bread and bananas) of the same mass. The clocks continue to work as normal – powered by the gravitational potential energy inherent in the foods. Originally installed at Goldsmiths College in 2002 and then at the Colony in Birmingham in 2004.
-
TicTac Typing & Peanut Typing
This installation features two Mac computer programmes made during the LabCulture digital arts residency in 2002. The programmes mimic the common typing test, but rather than telling you your speed or accuracy, they inform you of the equivalent number of TicTacs or peanuts you are burning off whilst typing. Bowls of TicTacs and peanuts are installed alongside the two Macs for hungry participants.
-
Potential Generator
Created in 2001 for Harrison’s Degree Show at Nottingham Trent University, this kinetic sculpture is designed to give gravitational potential energy to apples. Apples are placed on the escalator device at the rear of the bike and, when pedalled, are transported to a height above the ground proportional to their chemical energy content. A similar, proportionally larger, Potential Generator for doughnuts was also designed.
-
Kinetic Cake vs Kinetic Carrot
A kinetic installation created by Harrison in December 2000 whilst studying at Nottingham Trent University. As a precursor to Potential Generator, this installation visualises the energy content of a carrot and a chocolate éclair, by racing them around two facing train tracks at equivalent speeds – the éclair being just over three times faster than the vegetable of a comparable size.
-
Superfluous Consumption
Harrison’s first interactive installation (created in December 2000 whilst studying at Nottingham Trent University) draws an analogy between the unnecessary energy we consume in snack foods and that consumed by the electrical appliances we use for entertainment and comfort in our homes. The viewer is invited into an arm chair to watch various snack foods appear on a TV screen for durations equivalent to their energy content.
-
Greed
Harrison’s obsession with data collecting – documenting elements of her own everyday life – began in New York in February 2000 with Greed. During a four-day visit to the city, Harrison challenged herself to eat as much as was humanly possible and to document everything single last bit.
Project website
